- Art
Melanie Brewster: A Metaphysical Quest for the Deepest Backbend
Concluding the 2026 Sunroom Project Space season, Melanie Brewster’s installation A Metaphysical Quest for the Deepest Backbend unfolds as if in medias res—a Latin phrase meaning “in the middle of things.” Set in a metafictional world, the installation reads like a scene after an esoteric ritual following a woman whose yoga practice becomes so extreme that she transforms into an ouroboros: a serpent consuming its own tail, a symbol of cyclical time and eternal return.
A series of large, deconstructed banners depicting human and non-human animal hybrids are suspended among talisman-like ceramic sculptures that invite viewers to contemplate scenes of impossibly flexible yogic postures. On the floor, a human-scale mat woven from upcycled yoga pants, golden chains, and obsidian is encircled by black sand, salt, and what appears to be shed snakeskin.
A Metaphysical Quest for the Deepest Backbend explores the darker intersections of spirituality, nature worship, and magick-based consumerism—a spiritual practice of intention coined by English occultist Aleister Crowley—as opposed to an attempt to defy natural forces. Through this lens, the exhibition reflects on extreme wellness practices, the limits of enlightenment, and questions of access within contemporary wellness industries. In doing so, it also examines the growing disconnect between contemporary mindfulness culture, severed from frameworks of self-realization in traditional yoga that are rooted in ancestral lineages and complex historical contexts.
Public Program: Meet the Artist on Saturday, October 17, 1PM.
Organized by Curator of Visual Arts Rachel Raphaela Gugelberger, the Sunroom Project Space is an open call opportunity for emerging, New York-area artists to develop and exhibit a site-specific project as a solo exhibition. The 2026 applications were reviewed by a panel of arts professionals including Klaudia Ofwona Draber, a curator, Strategy Consultant, Director of Programs at Finnish Cultural Institute in New York, and founder of KODA—a social practice residency for mid-career artists; artist Magdalena Dukiewicz (2025 Sunroom Project Space), whose practice is rooted in processes and materials that explore the intersections of the organic and industrial materials; and Gugelberger.
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Melanie Elyse Brewster
Melanie Elyse Brewster
Melanie Elyse Brewster is a Greek-American artist and scholar based in New York City. With interdisciplinary work broadly focused on queer futurities, she has published peer-reviewed articles, book chapters, and a book, Atheists in America, on experiences of marginality, nonbelief, and stress. Brewster recently held a solo exhibition at Brazosport College Art Gallery, Lake Jackson, TX. Her work has been featured in group exhibitions at The Invisible Dog Art Center and La Mama Galleria, both in New York; Wönzimer Gallery, Los Angeles, CA; Gallery 263, Cambridge, MA; Clara M. Lovett Art Museum, Flagstaff, AZ; Koehnline Museum of Art (Chicago, IL); and The CAMP Gallery, Miami, and Arts Warehouse Delray Beach, FL, both in Florida. Brewster earned an MFA from the School of Visual Arts, New York, NY, and a PhD in Counseling Psychology from the University of Florida, Miami. Brewster has been a professor in the Department of Counseling and Clinical Psychology at Columbia University since 2011. Learn more about the artist at melaniebrewster.com.
Photo courtesy of the artist.