- Art
Melanie Elyse Brewster: A Metaphysical Quest for the Deepest Backbend
In A Metaphysical Quest for the Deepest Backbend, Melanie Elyse Brewster transforms the Sunroom into the aftermath of a mysterious ritual. Blending fact and fiction, the installation tells the story of a woman whose extreme yoga practice transforms her into an ouroboros, an ancient symbol of a serpent consuming its own tail, symbolizing renewal, transformation, and the cycle of life. In Brewster’s imagined belief system, this metamorphosis marks a state of “Completion,” a passage beyond the physical body from which the woman disappears.
Drawing on surrealism, cultural anthropology, queer aesthetics, ancient religious systems, and occult practices, Brewster considers the limits of wellness enlightenment. Suspended banners depict human-animal hybrids moving through increasingly impossible postures, while a cork yoga mat, blocks, braided rope form yoga pants, shed snakeskin, and a sandy black substrate suggest the traces of an enigmatic transformation. Objects gathered from the artist’s family and flea markets are repurposed as artifacts—crystals, vessels, jewelry, dried herbs, candles—become relics of an imagined fringe faith devoted to nature, rewilding, and collective transformation. Blurring the boundaries between altar, yoga studio, and archaeological site, the installation questions the distance between contemporary wellness practices and yoga’s traditional frameworks of self-realization, while considering how esoteric practices, access, shared knowledge, and interconnectedness to nature might offer alternative paths toward enlightenment.
Public Program: Meet the Artist on Sunday, October 18, 2PM.
Join us for a performative walkthrough of the exhibiton with anthropologist and professor Dr. Janet Lykos, PhD, followed by a conversation between exhibiting artist Melanie Elyse Brewster and Curator of Visual Arts Rachel Raphaela Gugelberger.
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Melanie Elyse Brewster
Melanie Elyse Brewster
Melanie Elyse Brewster is a Greek-American interdisciplinary artist and scholar. With work broadly focused on queer futurities, she has published peer-reviewed articles, book chapters, and a book, Atheists in America, on experiences of marginality, nonbelief, and stress. Brewster has presented solo exhibitions at Field Projects, NY, and Brazosport College Art Gallery, Lake Jackson, TX. Her work has been featured in exhibitions at the 2026 SPRING/BREAK Art Show; Bronx River Art Center; The Invisible Dog; and La Mama Galleria, all in New York City; Peep Space, Tarrytown, NY; The CAMP Gallery, Miami, FL; Arts Warehouse, Delray Beach, FL; 100,000,000, Kansas City, MO; Wönzimer Gallery, Los Angeles, CA; Wignall Museum, Rancho Cucamonga, CA; and Koehnline Museum of Art, Chicago, IL, among others. Brewster’s work has been covered in the New York Times, CultBytes, Whitehot Magazine of Contemporary Art, and Boca Magazine. She earned an MFA from the School of Visual Arts, NY, and a PhD in Counseling Psychology from the University of Florida, Miami. Brewster has been a professor in the Department of Counseling and Clinical Psychology at Columbia University since 2011.
Photo courtesy of the artist.