A public garden & cultural center

Beatrice Glow

Rhunhattan
Sunroom Project Space | September 15–October 25

 

Pictured above: Beatrice Glow, Rhunhattan, 2015. Installation view, Sunroom Project Space, Wave Hill. Acrylic and decal collage on ceramics, ink on paper. Photo: Stefan Hagen.

Beatrice Glow uncovers invisible and suppressed stories that lie in the long geopolitical shadows of colonialism and migration. Her practice comprises sculptural installations, trilingual publishing, and lecture and participatory performances. To counter divisive discussions of political and cultural borders, Glow meditates on how all ethnospheres are, like islands, connected beneath the surface. Her research mines the relationship between Asia and the Americas, investigating transpacific economic and cultural circulations, as well as persistent, romanticized notions of the exotic “other.”

Glow’s installation, Rhunhattan, converts the Sun Porch into a tearoom with sights and scents that reference the spice trade, which ushered in an era of globalization. More specifically, Glow seeks to evoke the history of a land exchange that took place in 1667, when the Dutch, eager to monopolize the Spice Islands, swapped Manhattan for Rhun, an island seven times smaller, which had been held by the English. Today, Manhattan is a financial capital, while Rhun, located in what is present-day Indonesia, has faded into obscurity. Inspired by Wave Hill’s greenhouses—spaces Glow sees as designed to tame otherworldly tropical plants—the artist creates an analogous structure, approaching the Sun Porch “as a pristine tearoom that attempts to contain the insanity, greed and desire of commerce.”

On exhibit are dishes decorated with depictions of the atrocities that European traders perpetrated in Rhun at the hands of European traders, as well as cartographical drawings and archival imagery relating to this freighted history. The design of the dishes alludes to the history of exportation from Asia to Europe, particularly Delftware—tin-glazed, blue-and-white pottery made in the Netherlands. Delftware developed in the 17th century; influenced by Chinese porcelain, Dutch potters began imitating the popular style of this luxury Asian import. The space also includes olfactory pieces that exude sweet and pungent scents from objects interspersed throughout the installation. In creating this sensory feast, Glow invites viewers to engage with the dark realities underpinning what she sets up as a gilded tearoom.

Glow is a recipient of Wave Hill’s 2015 Van Lier Visual Artist Fellowship, which offers emerging artists of diverse backgrounds professional development, career mentorship, workspace and exhibition opportunities. She earned a BFA from New York University, and is currently a Visiting Scholar in the University’s Asian/Pacific/American Institute. Her work has been exhibited at the Bronx Museum of the Arts; Zebrastraat Gallery, Gent, Belgium; Cavin-Morris Gallery, New York, NY; El Museo del Barrio, New York, NY; and Museo de Arte Contemporaneo de Arequipa, Peru. In 2014, Glow organized the Floating Library, a pop-up public space with free programming aboard the Lilac Museum Steamship. She also launched the Asian/Americas workgroup for the Hemispheric Institute of Performance and Politics, and, in 2008–9, was awarded a Fulbright scholarship to pursue a research-creation project in Peru on Asian Latin America.

Pictured above: Beatrice Glow, Rhunhattan, 2015. Installation views, Sunroom Project Space, Wave Hill. Acrylic and decal collage on ceramics, ink on paper. Dimensions variable. Photos: Stefan Hagen. 

Click here for more information about the artist.
Meet the artist on Saturday, October 24.

Winter Workspace 2015
Van Lier Visual Artist Fellow 


Beatrice Glow speaking to visitors during Winter Workspace Open Studios, Wave Hill, 2015

Beatrice Glow has dedicated herself to recreating a trans-Pacific archive of forgotten or suppressed stories. Her practice comprises sculptural installations, publications, oral interviews, and performances. As an alternative to current ideas about globalization, she has focused on the pioneering peoples of Austronesia, the region that encompasses islands from Madagascar to Easter Island.

During her residency in Wave Hill’s Winter Workspace, Glow experiments with concocting and curating scents in order to assemble an aromatic archive. This project alludes to the nutmeg and other spices that were prized by colonialist botanists in the Age of Exploration (15th–18th century). For Glow, the classification of foreign plants mirrors the ethnographic categorization of other peoples in a way that distills cultural origins. Glow’s project seeks to illuminate these contested, fading memories.

The Arts at Wave Hill are supported by Lily Auchincloss Foundation, Inc., Milton & Sally Avery Arts Foundation, the National Endowment for the Arts, New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature and by the Cathy and Stephen Weinroth Commissioning Fund for the Arts. 

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