A public garden & cultural center

Fay Ku

Outcasts: Women in the Wilderness
Glyndor Gallery | April 8–July 9, 2017

Pictured above: Dogwood, 2015, mix media on layered and cut sheets of drafting film mounted on plexi, 42 x 30 inches. Courtesy of the artist

Ku’s work is informed by her experience as “a person of color, a woman and an immigrant.” She notes “Although I am not literally outcast or banished, my work conveys the sense of exclusion and the desire to make oneself seen.” Populated by women, her work refers to myths and histories of women who were banished or self-exiled. Ku says, “The destruction and diminishment of goddesses and female characters are typical of stories of conquest—of one tribe conquering another, of one religion subsuming another.”

The title of the work Third Time’s the Charm, Ku explains is a reference to God’s effort to create a wife for Adam. “The story of Lilith, Adam’s first wife, is fairly well known, but the unnamed wife who came after her is less familiar: God, undismayed by initially failing to give Adam a suitable helpmeet, let Adam watch while He built up a woman’s anatomy—using bones, tissues, muscles, blood and glandular secretions—and then covering the whole with skin and adding tufts of hair in places. But when this woman stood in her full beauty, Adam felt an invincible repugnance toward her. After this second failure, God took this woman away; nobody knows where she went.”

Ku sees commonalities between Nancy Spero’s work and hers in terms of the focus on female figures, creating a cast of characters and referring to mythology and narratives to address socio-cultural issues. “Spero’s work has affected the reception of my work. Thanks in part to the careers of political, feminist artists like Spero, works like mine are taken seriously.”

 

Third Times the Charm, (or Three Eves), 2016, mix media on layered drafting film sheets, 42 x 30 inches. Courtesy of the Artist.

Winter Workspace Program 2015
Glyndor Gallery 

Fay Ku in her Winter Workspace Studio, 2015. Courtesy of the artist

During her time as a Winter Workspace 2015 artist, she experimented with layered transparencies of Mylar, which allowed for deeper space in her images. By drawing from live plants and gardens, she was able to enrich the horizons that her characters inhabit. Ku’s Dogwood was inspired by Wave Hill’s gardens and was painted during her residency.

Artist Website

Support for the Visual Arts Program is provided by Lily Auchincloss Foundation, Inc., Milton and Sally Avery Arts Foundation, the National Endowment for the Arts, New York Community Trust Edward and Sally Van Lier Fund, New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, The Shelley & Donald Rubin Foundation, and by the Cathy and Stephen Weinroth Commissioning Fund for the Arts.