Winter Workspace 2019
Image courtesy of the artist.
Winter Workspace 2019
Glyndor Gallery | Feb 19–March 31
A graduate of Bard College (BA) and Columbia University (MFA), Jessica Segall works with creativity and survival, environmental threats and vulnerability, unpacking ideas about conservation, climate change and social adaptation. Her work has been exhibited at the Queens Museum of Art, The Aldrich Contemporary Art Museum, Socrates Sculpture Park and Smack Mellon, among numerous art institutions.
Furthering her efforts to “bring a little wildness into institutional spaces,” Segall joins the 2019 Winter Workspace program with plans to explore inter-species cohabitation and local and migratory flora and fauna at Wave Hill. She will work with fountains and statuary figures to create new, sculptural sites for microbial growth and avian activity. On March 23 and 24, she leads a Family Art Project creating seed sculptures.
"1/2 a Cord", 2015, fire, trees, dimensions variable. Indoor, public fire-pit installed at Recess’s Soho storefront location in Manhattan. For two weeks, visitors were invited to camp out on a 24-hour basis, roasting marshmallows and singing around the fire
Learn more about the artist here.
Recapturing the Scenic Wilds
Glyndor Gallery | September 06 - December 07, 2014
Pictured above: Field Recordings/Marginalized Birds of New York City, 2014, Taxidermy dove, sparrow and starling, with audio and headphones, 8´ x 6´ x 1´ each. Courtesy of the artist. Pictured: Dove
Jessica Segall’s mixed-media installation on view in Recapturing revolves around three taxidermy birds with accompanying audio recordings. The work focuses on the birds that, because they are common in New York City, receive no legal protection there: the starling, the rock pigeon and the English sparrow. The audio playing from the headphones is not, as might be expected, from ornithological recordings of birdsong, but rather songs about the birds. Segall specially commissioned these songs in a range of genres from musicians Ted Strauss, Courtship Ritual and Cesar Alvarez. The gentle humor of the music brings out the tongue-in-cheek tone of Segall’s gesture: preserving for posterity animals usually considered annoyances, rather than assets.
Segall’s practice spans video, performance, sculpture and drawing. Combining ecological concerns and art historical savvy, she presents viewers with acts of endurance and tools for survival in a precarious time. She has had solo exhibitions at 1708 Gallery, Richmond, VA, and Vox Populi, Philadelphia; as well as participated in shows at Tiger Strikes Asteroid, Philadelphia; Storefront Bushwick, Brooklyn, NY; Participant, Inc., New York, NY; the National Modern Art Gallery, Ulan Bator, Mongolia; and the Aldrich Contemporary Art Museum, Ridgewood, CT. Residencies include the MacDowell Colony, Peterborough, NH; Bemis Contemporary Arts Center, Omaha, NE; Land Art Mongolia; and Socrates Sculpture Park, Long Island City, NY. Segall received an MFA from Columbia University and a BA from Bard College, and she also studied at the Skowhegan School of Painting and Sculpture.
Click here for more information about the artist.
Pictured above: Field Recordings/Marginalized Birds of New York City, 2014, Taxidermy dove, sparrow and starling, with audio and headphones, 8´ x 6´ x 1´ each. Courtesy of the artist. Pictured: Starling
Support for the Visual Arts Program is provided by Lily Auchincloss Foundation, Inc., Milton and Sally Avery Arts Foundation, the National Endowment for the Arts, New York Community Trust Edward and Sally Van Lier Fund, New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, The Shelley & Donald Rubin Foundation, and by the Cathy and Stephen Weinroth Commissioning Fund for the Arts.