A public garden & cultural center

Reade Bryan

Reade Bryan
Inhabited

Sunroom Project Space | July 13-August 24, 2014

Inhabited2014, various sheet materials, insulation, hollow-core doors, hollow-core furniture, dimensions variable. Courtesy of the artist.

Reade Bryan’s work examines the role of materials and natural resources in the production of the built environment. In his sculptures, Bryan uses iconic building supplies, originally uprooted from nature and repurposed for an industrial context, to mimic their raw origins. Plywood, corrugated cardboard, rubber, drywall made of gypsum and other sheet materials are refashioned in a way that evokes organic forms and natural occurrences, such as tree-ring growth, tectonic movement, geological strata and flowing magma.

Bryan’s Sunroom Project, Inhabited, explores the tension between landscape and dwelling, while considering both Wave Hill’s history as a former estate and its relationship to its surroundings. The sculptural installation — two components, each with its own title — is made with a variety of sheet materials that are laminated, cut and stacked so that they look like natural formations that have invaded the gallery space. One piece, titled Molten, appears to be flowing into the space from the windows, evoking the effect of a flood or a mass on a cliff edge. The vertical sculpture, Corner, resembles rock formations in a canyon, or the fusing of a stalactite and stalagmite in a cavern. A section has been cut out to reveal a white laminate surface, reminding the viewer of the materials’ architectural purposes. These works play with scale and perception; grand scale is brought to human proportions, while the outside world intrudes disconcertingly on the domestic interior.

Inhabited2014, various sheet materials, insulation, hollow-core doors, hollow-core furniture, dimensions variable. Photo: Wave Hill.

Artist website

The Arts at Wave Hill are supported by Lily Auchincloss Foundation, Inc., Milton & Sally Avery Arts Foundation, the National Endowment for the Arts, New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature and by the Cathy and Stephen Weinroth Commissioning Fund for the Arts. 
 

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